
French horn
Do you play the French horn? If so, we offer you many opportunities to turn your passion into a career – whether in the arts or in arts education.
Degree programme model Degree programmes Artistic core areas
Great careers begin with a decision:
Mastery begins here
Whether you aspire to a place in an orchestra, want to perform on stage as a soloist or in an ensemble, are passionate about teaching, or are still searching for your profession, the foundation is always an excellent musical education. And that is what we offer!
Regardless of whether you are aiming for a bachelor's or master's degree, you always have the option of choosing an artistic or artistic-pedagogical focus. The profiles also give you the opportunity to broaden your horizons or strengthen a particular direction.
Choose between:
Bachelor Podium and Orchestra
Bachelor Music Pedagogy
Bachelor Secondary School Education
Master Podium and Orchestra
Master Music Pedagogy
Master Secondary School Education
Master Stage and Orchestra Practice (Part-time Master, 120 ECTS, 6 semesters)
Master Chamber Music (Part-time Master, 120 ECTS, 6 semesters)
Master Creative Arts Practice (Part-time Master, 60 ECTS, 4 semesters)
Master Music and Society (Part-time Master, 60 ECTS, 4 semesters)
But of course, young students are also welcome,
and those who are still looking for that ‘final polish’ can apply for the Konzertexamen.
... that is why all degree programmes focus on providing an excellent education:
- 1.5 hours per week of individual lessons on the main instrument
- Solo work with piano and unaccompanied literature from all eras, with a special focus on contemporary works and competition programmes
- Stylistic flexibility from classical and romantic literature to contemporary works, performance practice: class evenings, chamber music and ensemble concerts, examinations, podiums
What is important to us:
- Small study groups that enable individual artistic supervision
- Ensembles such as Open Chamber and Positively Brass as a central element of training
- Contemporary music as an integral part of training
- Close links between orchestral work, solo performance, chamber music and mental training
- Orchestral practice is at the heart of the artistic programme: the aim is to prepare students for professional careers in symphony and opera orchestras.
- Orchestral studies & audition training: systematic development of orchestral repertoire, audition procedures and repertoire strategies.
- Mental training & performance coaching for confidence in auditions and concerts.
- Regular orchestra projects with the university symphony orchestra and project-based ensembles.
- Chamber music and ensemble work to develop sound balance, communication and musical responsibility.
- Support and preparation for competitions, orchestra academies and auditions.
- Professional-level orchestral skills (sound culture, intonation, articulation, flexibility, balance)
- Confident audition skills (repertoire knowledge, rehearsal practice, strategic repertoire planning)
- Stage confidence and artistic presence through mental training and performance experience
- Independent artistic and technical development with efficient practice strategies
- Ensemble skills and musical communication (chamber music, PBP ensemble, orchestra projects)
- Stylistic flexibility from classical and romantic literature to contemporary works
- Solid instrumental foundations and musical creativity
- Willingness to practise independently and with concentration
- Ability to work in a team and enjoyment of creating sound together
- Interest in orchestral work or pedagogical work and professional sound ideals
- Openness to contemporary literature and new forms of musical expression
- Motivation for artistic development and ensemble responsibility
Folgende Profile sind mit dem Künstlerischen Kernbereich wählbar:
BA 1 Podium und Orchester
als 1. oder 2. Profil wählbar:
Aufführungspraxis
Crative Arts Practice
Jazz / Pop
Kammermusik und Ensemble
Komposition (künstlerisch)
Komposition (pädagogisch)
Musikdesign light
Musikforschung
Neue Musik
Podium
als 2. Profil wählbar:
Dirigieren und Ensembleleitung
Inklusion und Musizieren
Instrumental- und Gesangspädagogik
Marktplatz
Musiktheorie und Gehörbildung
Podium Vertiefung
BA 2 Musik-Pädagogik
1. Profil:
Instrumental- und Gesangspädagogik
als 2. Profil wählbar:
Aufführungspraxis
Crative Arts Practice
Dirigieren und Ensembleleitung
Inklusion und Musizieren
Jazz / Pop
Kammermusik und Ensemble
Komposition (künstlerisch)
Komposition (pädagogisch)
Marktplatz
Musikdesign light
Musikforschung
Musiktheorie und Gehörbildung
Neue Musik
Podium
Rhythmik-EMP-Grundlagen
MA 1 Podium und Orchester
Aufführungspraxis
Crative Arts Practice
Dirigieren und Ensembleleitung
Inklusion und Musizieren
Jazz / Pop
Komposition (künstlerisch)
Komposition (pädagogisch)
Marktplatz
Musikdesign light
Musikforschung
Musiktheorie und Gehörbildung
Neue Musik
Podium
Podium
Rhythmik EMP
MA 2 Musik-Pädagogik
Aufführungspraxis
Crative Arts Practice
Dirigieren und Ensembleleitung
Inklusion und Musizieren
Jazz / Pop
Kammermusik und Ensemble
Komposition (künstlerisch)
Komposition (pädagogisch)
Marktplatz
Musikdesign light
Musikforschung
Musiktheorie und Gehörbildung
Musizieren mit Gruppen (IGP Masterprofil)
Rhythmik-EMP-Grundlagen
MA 4 Bühne und Orchesterpraxis
Aufführungspraxis
Crative Arts Practice
Dirigieren und Ensembleleitung
Inklusion und Musizieren
Jazz / Pop
Kammermusik und Ensemble
Komposition (künstlerisch)
Komposition (pädagogisch)
Marktplatz
Musikdesign light
Musikforschung
Musiktheorie und Gehörbildung
Neue Musik
Podium Vertiefung
Rhythmik-EMP-Grundlagen
MA 5 Kammermusik
Aufführungspraxis
Crative Arts Practice
Dirigieren und Ensembleleitung
Inklusion und Musizieren
Jazz / Pop
Kammermusik und Ensemble
Komposition (künstlerisch)
Komposition (pädagogisch)
Marktplatz
Musikdesign light
Musikforschung
Musiktheorie und Gehörbildung
Neue Musik
Podium Vertiefung
Rhythmik-EMP-Grundlagen